Shattered Mirror Cinematic Portrait

Use the exact same face from the reference image and generate a dark cinematic portrait with a concept that has never appeared in this entire series — the subject seen through the fractured geometry of a shattered mirror, the face multiplied and fragmented across dozens of broken mirror shards, each piece reflecting a slightly different angle of the same face simultaneously. The subject positioned close and directly in front of a massive shattered mirror — the mirror surface broken into dozens of irregular fragments still held within their frame, each shard at a slightly different angle from the impact, each one catching and reflecting the face from a completely different perspective simultaneously. Some shards showing the full eye, others just the jaw, others a slice of the nose bridge, others reflecting only darkness or the cold key light source — the shattered mirror turning one face into a fractured mosaic of itself, simultaneously showing every angle of the same human face that a single photograph could never capture. The largest central shard holds the most complete reflection — the face closest to straight on, the primary portrait within the portrait, eyes staring back through the broken glass with absolute still intensity. Surrounding shards fragmenting outward from the center each capturing a different sliver of the same face at different angles — some shards showing the face from slightly left, others from slightly right, some from above, some just catching the eye or the lip or the cheekbone in isolation. The fracture lines between shards — dark voids of absolute black between the glass pieces — creating a graphic web of darkness across the reflected face, dividing it into geometric fragments. The mirror shards themselves rendered at obsessive physical detail — the glass edges sharp and precisely fractured, some edges showing the thickness of the mirror glass as a thin silver line, the reflective silver backing of the mirror visible at broken edges, some shards showing tiny concentric crack lines radiating from the impact point, the glass surface of each shard catching its own micro-reflections and slight surface imperfections. Some smaller shards at the periphery having fallen slightly from the frame leaving dark rectangular voids in the mirror surface — negative spaces where reflection once existed. Expression in the primary central shard — eyes open and completely present, staring back through the broken glass with a quiet devastating calm, lips naturally sealed, jaw defined. The specific expression of someone looking at their own reflection and seeing something true. But in the surrounding shards the fragmented reflections of the same face each carrying subtly different micro-expressions from their different angles — the left-angle shards showing the face slightly differently than the right-angle shards, the overhead shards showing the brow differently — the shattered mirror revealing the multidimensional complexity of a single human face. The frame around the shattered mirror is ornate and dark — heavy cast iron or tarnished black wood baroque framing, the elaborate carved details catching the cold key light in complex shadow patterns, the frame itself partially dissolving into the black background at the edges. Lighting is a single powerful cold key light from dramatically to one side — the light source reflected in every shard simultaneously but from a slightly different angle in each, making the key light itself fragment and multiply across the broken surface. Some shards catching the full key light brilliance, others catching only a sliver of it, others facing away from the source and showing only darkness and the faint rim from behind. The face in the central shard lit with the same cold precise split light as the best portraits in this series — one side brilliant, one side shadow.